Mochica, côte-nord, peut-être La Mina
100-800 apr. J.-C., or, chrysocolle, coquillages, 28,5 x 41.4 x 4,5 cm. Lima, Museo de la Nación. Photo Daniel Giannoni
Un ornement mochica en forme d’animal hybride mi-félin, mi-pieuvre. Cette pièce emblématique de la récupération des trésors précolombiens récemment rapatriés au Pérou est exposée pour la première fois hors du pays.
Mochica, Côte nord, Sipán
100-800 apr. J.-C., or, turquoise, bois, 9,2 cm. Museo Tumbas Reales de Sipán, Lambayeque. Photo Joaquín Rubio
Provenant de l’extraordinaire site de Sipán, un disque d’oreille représentant le seigneur du lieu, gouvernant mochica sur la côte Nord du Pérou vers le Ve siècle de notre ère.
Chimú, Côte nord, peut-être Chan Chan
900-1476 apr. J.-C., alliage d'or, d'argent, de cuivre, approx. 46,6 x 21,9 cm. Museo Larco, Lima - Perú
Une parure funéraire (couronne, disques d’oreilles, collier, pectoral et épaulières), chef-d’œuvre de l’orfèvrerie chimú conservé au Museo Larco (Lima).
Lambayeque, côte-nord
750-1375 apr. J.-C., or, 21 x 34.8 cm. Ferreñafe, Museo Nacional Sicán. Photo Joaquín Rubio
Des masques couvrant les visages des momies des souverains lambayeque font partie de cette sélection soignée d’œuvres précolombiennes telles que ce magnifique masque funéraire de la collection du Museo Oro del Perú (Lima).
Lambayeque, north coast
Back of litter, 750-1375 A.D.
Wood, gold, silver, cinnabar, sulphurous copper, ammonia, shells, turquoise, feathers, 58 x 114 x 5 cm
Lima, Museos « Oro del Perú » - « Armas del Mundo », Fundación Miguel Mujica Gallo. Photo Joaquín Rubio
A rare headboard of a Lambayeque litter depicting figures officiating at a ceremony, unique in the complexity of its ornamentation.
Anonymous, possibly Lima
Depósito eucarístico con forma de pelícano [Eucharistic urn in the shape of a pelican], about 1750-1760
Partially gilded silver, gemstones, 83 x 91 cm.
Lima, Monasterio Nuestra Señora del Prado. Photo Daniel Giannoni
Among the ceremonial objects on view is a silver Eucharistic urn in the shape of a Pelican, a bird traditionally associated with Christ’s sacrifice. It is widely considered a masterpiece of the liturgical metalwork from the Latin-American Baroque period.
Anonymous, Cuzco School
Virgen Niña Hilando [Young Virgin Spinning], 2nd third of the 18th c.
Oil on canvas with gold leaf applications 112.7 x 80.6 cm
Museo Pedro de Osma, Lima. Photo Joaquín Rubio
Symbolic representations of the virtuous life of the Virgin Mary on view, such as Young Spinning Virgin, recalls the acllas, the Virgins of the Sun in the Inca empire, whose principal occupation was making garments for the Inca and for religious rites.
Francisco Laso (1823 – 1869)
Habitante de las cordilleras del Perú [Inhabitant of the Peruvian Highlands], 1855.
Oil on canvas, 138 x 88 cm.
Pinacoteca Municipal Ignacio Merino de la Municipalidad Metropolitana de Lima. Photo Daniel Giannoni
A typical work of Peruvian art of the mid-19th century, Habitante de las cordilleras by Francisco Laso, portrays the indigenous peasant as a national symbol for the new Peruvian republic, and heralds the direction that Peruvian cultural nationalism was to take in the next century.
Leonor Vinatea Cantuarias (1897 - 1968)
Pastoras [Shepherdesses], 1944.
Oil on canvas, 197 x 174 cm.
Lima, Museo de la Nación. Photo Joaquín Rubio
Paintings depicting scenes of Native life and the idyllic landscapes of the Peruvian countryside and highlands such as Pastoras (Shepherdesses) by Leonor Vinatea were to transform the visual culture of Peru in the modern era.
Martin Chambi (1891-1973)
Aerial View of Machu Picchu With Mountains in the Background, Peru, 1927
Gelatin silver print, 35.9 x 45.8 cm
© Canadian Centre for Architecture, Montreal
Anonymous
El Niño Jesús con la corona imperial inca y el ajuar de sacerdote católico
[The Child Jesus Wearing the Imperial Inca Crown and the Robes of a Catholic Priest], first half of the 18th century
Oil on canvas, 86 x 75 cm
Lima, Mónica Taurel de Menacho Collection. Photo Joaquín Rubio
Mochica, north coast, Sipán
Figurine depicting a supernatural half-human, half-bird being, 100-800 A.D.
Copper. 11.5 x 7.2 x 6.5 cm
Museo de Sitio de Huaca Rajada Sipán. Photo Joaquín Rubio