Arts du Tout-Monde
Pavillon Jean-Noël Desmarais
Niveau 4

Arts of One World
— Jean-Noël Desmarais Pavilion
In November 2019, the Museum unveiled the Stephan Crétier and Stéphany Maillery Wing for the Arts of One World.
Located on the 4th floor of the Jean-Noël Desmarais Pavilion, the wing’s 10 fully refurbished galleries present a dialogue between works from ancient and traditional cultures and those by local and international contemporary artists, framed in a renewed intercultural and transhistorical perspective. This ambitious reinstallation project was made possible thanks to the generous support of Stephan Crétier and Stéphany Maillery.
An exceptional tool for discovering and understanding cultural diversity in Canada and around the world, past and present, this new wing displays a rich selection from the Museum’s collection, including over 10,000 archaeological objects and works by artists from many different cultures. The Museum’s encyclopedic collection is one of the oldest and most prestigious in Canada.
The 1,025 m2 of the Stephan Crétier and Stéphany Maillery wing contain more than 1,500 objects and works by artists who hail from every continent. Located in the Jean-Noël Desmarais Pavilion, the largest and most visited of the Museum’s five pavilions, the wing presents treasures from Africa, Asia, the Mediterranean, the Middle East, Oceania and the Americas dating from the 4th millennium B.C.E. to today. It invites visitors to take a fresh, 360-degree look at our early heritage and contemporary creations. The presentation design goes beyond the discourse of art history to highlight the exchanges that have occurred and continue to occur between cultures, while displaying present-day disciplines and social concerns.
Situated in the heart of a humanist and socially engaged museum, the wing promotes inclusive values that reflect Montreal, a metropolis made up of close to 120 cultural communities. It invites people of different cultures to come together to better understand one another at a time, in this 21st century, when togetherness has become an issue of vital importance.

Yinka Shonibare, C.B.E. (born in 1962), Pan, 2018, fibreglass, hand-painted Dutch-wax pattern, hand-coloured globe, gold leaf, steel. Loan from a private collection. © Yinka Shonibare, C.B.E. / SOCAN (2019). Photo Courtesy James Cohan, New York