Discovered in 2019, this painting is the oldest by a woman in the Museum’s European collection. An early work by Lavinia Fontana, considered Europe’s first professional female painter, it depicts Joachim and Anna presenting their daughter Mary to the temple in gratitude for their deliverance from childlessness.
The artist based her composition on a fresco by her father and teacher, Prospero, who here may have executed the figures of Joachim and Anna. Pentimenti (visible changes to the composition) suggest that this painting was likely a training opportunity for Lavinia, carried out under Prospero’s supervision.