The work of the XYZ collective often parodies globalization and “Made in China” from a Chinese perspective. Here, the designer Danful Yang plays on the concept of imitation (shanzhai) by brilliantly joining a Louis XVI-style golden frame and a traditional Chinese wooden chair. The seat is covered in a patchwork of pieces of fake handbags, identifiable as knock-offs of originals by Louis Vuitton, Chanel, Burberry and Coach. Yang’s aesthetics of cultural hybridity refers not only to the current relationship between the West and China but also, in its reference to contemporary values and status symbols, to questions about how power morphs through time.