This exhibition addresses a hitherto little explored theme: the place of music in Inuit visual art. Combining anthropology and Indigenous art history, it offers a thorough panorama of contemporary and traditional art originating from the circumpolar regions.
The rich tapestry of Inuit musical expression
ᑐᓴᕐᓂᑐᑦ TUSARNITUT! illustrates for the first time the diversity and breadth of Inuit musical expression in the visual and performing arts of the circumpolar North, from pre-colonial times to the present. The exhibition highlights the connections between visual art and drum dancing and throat singing. It also transports us to the late 19th and early 20th centuries, a period when widespread colonial contact and exchange in the Arctic regions fostered Inuit adaptation of new instruments and musical ideas, leading to vital transformations in form and meaning in specific regional contexts.
Renowned artists
ᑐᓴᕐᓂᑐᑦ TUSARNITUT! presents about 100 Inuit sculptures, prints, drawings and installations by renowned artists, including Karoo Ashevak, Kenojuak Ashevak, Pitseolak Ashoona, Mattiusi Iyaituk, David Ruben Piqtoukun, Annie Pootoogook, Kananginak Pootoogook, Jessie Oonark and Niap (Nancy Saunders). Brought together from the MMFA’s collection, the Avataq Cultural Institute and other local and international lenders, these artworks are juxtaposed with a rich body of museum objects, archival photographs, documents and field recordings that frame the context of the dynamic evolution and major cross-cultural transformations of Inuit music and aesthetics in the visual arts.
In the media
Special episode on Inuit music and the exhibition TUSARNITUT!
ICI Musique, Minotan!
Credits and curatorial team
An exhibition curated by Jean-Jacques Nattiez, ethnomusicologist and Professor Emeritus at Université de Montréal, and Lisa Qiluqqi Koperqualuk, Curator and Mediator of Inuit Art, MMFA, in collaboration with Charissa von Harringa, Curatorial Associate, MMFA.