Skip to contentSkip to navigation
Become a Member
Explore today's schedule
Visit MMFA for free by becoming a Member
Learn more

Valentin de Boulogne (Le Valentin)

Abraham Sacrificing Isaac


Valentin de Boulogne (Le Valentin)
Coulommiers-en-Brie, France, 1591 – Rome 1632


Abraham Sacrificing Isaac


About 1630-1632


Oil on canvas (unfinished)


149.2 x 186.1 cm


Gift of Lord Strathcona and family, inv. 1927.446


Western Art

Conservation of this work was made possible by the Bank of America Merrill Lynch Art Conservation Project

This monumental painting was in the seventeenth-century collection of Cardinal Ascanio Filomarino, who had risen to prominence in Rome in Cardinal Barberini’s circle and became Archbishop of Naples in 1641. Filomarino was sensitive to the most advanced currents in Roman painting as seen here with the Caravaggism, owning twelve Vouets, paintings by Annibale Carracci, the Domenichino, Giovanni Lanfranco and Guido Reni, and this painting. Valentin transforms the theatricality of Caravaggio’s celebrated earlier version depicting a screaming Isaac and an angel rushing in to stop the hand of a stern Abraham (Uffizi, Florence) into a poignant image representing the passive acceptance of Isaac and the sad resignation of Abraham to the abhorrent act he is prepared to enact but compassionately interrupted from committing by a descending angel. For Christians, such as Cardinal Filomarino, the willingness of Abraham to sacrifice his beloved son prefigured that of God in the sacrificial death of Christ. The picture is among the artist’s three surviving unfinished works and dates to about 1631.

Add a touch of culture to your inbox
Subscribe to the Museum newsletter

Bourgie Hall Newsletter sign up

This website uses cookies in order to optimize your browsing experience and for promotional purposes. To learn more, please see our policy on the protection of personal Iinformation