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Tom Wesselmann (1931-2004), study for Mouth #10, 1967, liquitex over graphite underdrawing. MMFA, gift of Tom Wesselmann Estate.
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Tom Wesselmann (1931-2004), study for Mouth #10, 1967, liquitex over graphite underdrawing. MMFA, gift of Tom Wesselmann Estate.
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August 31, 2023 – March 24, 2024

The Pop of Life!

Pop Art in the Collection of the MMFA

This exhibition showcases iconic works of Pop art from the Museum’s collection, including creations that have rarely or never been shown.

Pop art, its aesthetics and its subjects

Originating in Britain and the United States during the 1950s, Pop art peaked in the 1960s and continued to flourish internationally throughout the 1970s. In stark contrast to the intensely personal and introspective approach of Abstract Expressionism, its artists abandoned painterly compositions in favour of impersonal images – facilitated by commercial printing techniques – and a return to figuration.

Andy Warhol (1928-1987), Mao, 1972, silkscreen, 10/250. MMFA, purchase, William Gilman Cheney Bequest.
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This art movement, which drew inspiration from popular culture, was a veritable formal revolution and championed a transformative mindset that challenged reified notions of what art could be. Often appropriated from the mass media, the Pop aesthetic is characterized, among other things, by bright colours, linearity, flatness, cropping, the incorporation of text, and work in series and multiples, evoking the mass production of consumerism. The subject matter represented – think everyday objects, brand-name consumer products, current events, celebrities and female characters ranging from comic-book heroines to housewives, to sex objects – underscored the pervasive infiltration of commercialism, technology and the media into the urban environment.

Eduardo Paolozzi (1924-2005), Vogue Gorilla with Miss Harper, from the series “Bunk,” 1950-1972, lithograph, 92/100. MMFA, gift of the artist.
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Pop art in the collection of the MMFA

The exhibition brings together installations, sculptures, paintings, textiles, drawings and prints by Canadian artists associated with the Pop movement, such as Pierre Ayot, Edmund Alleyn and Joyce Wieland, alongside their American and European contemporaries, including Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Eduardo Paolozzi. Their colourful and groundbreaking creations will be showcased in captivating juxtaposition with works from the Museum’s decorative arts and design collection.

Eddie Squires (1940-1995), “Lunar Rocket” fabric, 1969
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Credits and curatorial team

An exhibition organized by the Montreal Museum of Fine Arts. It is curated by Iris Amizlev, Curator – Community Engagement and Projects, MMFA.

With support from the donors to the MMFA Foundation’s Philanthropic Circles

Official Sponsor

Denalt

Media Partner

Public Partners

Andy Warhol (1928-1987), Mao, 1972, silkscreen, 10/250. MMFA, purchase, William Gilman Cheney Bequest.

Andy Warhol (1928-1987), Mao, 1972, silkscreen, 10/250. MMFA, purchase, William Gilman Cheney Bequest. © 2023 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York / Copyright Visual Arts-CARCC. Photo MMFA, Christine Guest

Eduardo Paolozzi (1924-2005), Vogue Gorilla with Miss Harper, from the series “Bunk,” 1950-1972, lithograph, 92/100. MMFA, gift of the artist.

Eduardo Paolozzi (1924-2005), Vogue Gorilla with Miss Harper, from the series “Bunk,” 1950-1972, lithograph, 92/100. MMFA, gift of the artist. © Estate of Eduardo Paolozzi (Copyright Visual Arts-CARCC, 2023). Photo MMFA, Jean-François Brière

Eddie Squires (1940-1995), “Lunar Rocket” fabric, 1969

Eddie Squires (1940-1995), “Lunar Rocket” fabric, 1969, printed cotton, printed by Stead McAlpin & Co., Carlisle, England, for Warner & Sons, Braintree, England. MMFA, Liliane and David M. Stewart Collection, gift of Eddie Squires. Photo MMFA

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